We have a variety of ways to help you achieve your Atmos goals.
Here, you'll find more info on all the ways you can work with Atmos at Track25. Probably more than you think.
You can create Atmos in workstations traditionally thought of as stereo-only. You can work with built-in renderers or with the official Dolby Renderer. You can use Fiedler's excellent Dolby Atmos Composer in all our apps.
We have a good set of plugins and support tools as well, some of which we've listed here.
We want to help make your Atmos experience more simple, so you can focus on the creative stuff.
Audio workstation apps
Pro Tools once relied on the standalone Dolby Atmos Renderer, but in addition now has an embedded option. It is also fully compatible with the workflow provided by Fiedler Dolby Atmos Composer.
Apple's Logic Pro X was an early adopter of the internal Dolby Atmos renderer. It can also be used with the standalone renderer or with Fiedler's Dolby Atmos Composer tools.
DaVinci Resolve Studio's Fairlight engine includes an embedded Atmos renderer, and can also work with the standalone Dolby Atmos renderer or with Fiedler's Dolby Atmos Composer tools.
The recently updated Harrison MixBus 10 Pro now includes an embedded Atmos engine, and may be the most operationally straight forward Atmos creation tool around. It can also be used with the standalone renderer or Dolby Atmos Composer.
UAD's LUNA recording system is inherently stereo, but using Fiedler's plugins for panning and rendering, can easily be used for Atmos creation.
Ableton Live Suite has no native renderer, and limited internal capabilities for multichannel support, but can easily be used for Atmos creation with Fiedler's Dolby Atmos Composer.
The LITE version of Ableton live can easily be used for Atmos creation with Fiedler's Dolby Atmos Composer. Also, as seen in our video series, the mixing capability can extend beyond the 8-track limit.
Tracktion's Waveform Pro (and Waveform Free) are inherently stereo workstations, but can be used for Atmos creation with Fiedler Dolby Atmos Composer.
The INTRO version of Pro Tools is also capable of Atmos mixing, with the support of Fiedler Dolby Atmos Composer. The apparent 8-track limitation can be extended as shown in our video series.
Support Tools
Fiedler Mastering Console is a standalone app that can be used for processing your Atmos masters and making metadata modifications. Gravitas MDS is included, so you can also achieve mastering compression for your Atmos master file.
The Dolby Atmos Conversion Tool is a standalone app that can be used to convert between types of Atmos files, as well as joining compositions and making metadata adjustments.
The official Dolby Atmos Renderer is a standalone app. In addition to creating master files in coordination with audio apps, the renderer can also import existing master files for playback, review and adjustments.
Plugins
The Fiedler Dolby Atmos Composer plugin is the core Atmos component For Dolby Atmos Composer. The Beam plugin is used in conjunction with the Composer plugin, and is used as the 3D panner.
The Fiedler Dolby Atmos Composer Essential plugin is the core Atmos component of Fiedler's free version. The Beam Essential plugin is used in conjunction with the Composer Essential plugin, and is used as the 3D panner.
The Beam plugin is the plugin panner for use with Fiedler's Dolby Atmos Composer.
The "essential" version of the Beam plugin is the plugin panner for use with Fiedler's Dolby Atmos Composer Essential, the free version.
From Reverb Foundry, HD Cart is a lush multichannel reverb with Atmos support.
From PSP Audio, auralComp is a true multichannel compressor and limiter with advanced keying features.
From LiquidSonics, Cinematic Rooms is a highly-regarded multichannel reverb processor and room simulator with Atmos and surround support.
From The Cargo Cult, Spanner is a specialty mulchannel tool for panning and complete control of multichannel adjustments.
From Fiedler Audio, Gravitas MDS is a dynamics system capable of complete 128-channel control within Dolby Atmos Composer, and 64-channel capability in plugin-mode.
From Eventide Audio, BlackHole Immersive is an Atmos-compatible and surround-compatible reverb with the characteristics of the original BlackHole.
Another Atmos-compatible reverb, Lustrous Plates Surround has many material options to choose from.
Another Atmos-compatible reverb from Reverb Foundry, Tai Chi is an incredible ensemble reverb. 9.1.6 compatible.
From LiquidSonics, Seventh Heaven Pro is an Atmos-compatible simulation of the Bricasti M7. 9.1.6 compatible.
From PSP Audio, auralControl is a multi-channel processing tool capable of filter, balance, delay and polarity adjustments across multichannel busses..
From Eventide Audio, MicroPitch immersive is an Atmos-compatible and surround-compatible big brother to MicroPitch.
Questions?
Contact us at info@track25.studio if you'd like more info, You can also schedule a visit and look things over.